For the plug-in to work, the recordings have to be made in M/S-RAW mode, and RAW is not an option when using the 2ch and 4ch modes. We’re all familiar with the truism that poor video may be forgiven as long as the audio is great, while the best video will suffer if the audio is lousy. There is, however, a slight caveat. You only get WAV file recording. On the H2N, this uber-wide stereo field is ideal for surround channel recording while the front channels are recorded with the built in X/Y stereo microphones. This thing is rad. 5 different microphones on board, but improves on the idea of surround recording by having the surround mics be in a mid-side configuration. And the Mid-Side stereo field is a beautiful thing to behold. Downloadable from Zoom's web site is a VST M/S Decoder plug-in for use with the copy of Steinberg's Wavelab LE7 audio editor that's bundled free with the H2n. Log in. These include X/Y like the H1, as well as mid-side, 2-channel surround sound, and … But the real power of the unit is in the 4-channel discreet mode. Attributes of the unit which have come to be standard on nearly all Zoom devices include: 96kHz recording Built in speaker for gross reference Computer audio interface capability Tripod mount USB port for data transfer Excellent battery life Prerecord – so you never miss that sound. It’s pretty darned cool. This is the most common set-up that you will be using most of the time. Well, yes, it has .mp3, but don’t you use that. “Mark, that sounds great. Zoom H2n Field Recorder Review A high-quality, portable, multi-purpose microphone has become an increasingly useful tool for composers these days. I’d always wished for some easy solution for surround recording, but the solutions in existence are quite expensive: 5.1, 7.1, 3D recorders. Auto Record Compression, Limiting, Lo Cut Filter. The Stats The unit has a selector on the top which allows for several recording modes including a merging-down of all 5. microphones into a stereo recording. It’s genius. These channels can be dropped directly into a DAW and panned accordingly and it’s just like being where you recorded the material. And don’t get me wrong, it’s not perfect. Have one? A Killer Idea The idea behind ambiences in general is that surround channels should not have similar content to the front speakers. Mark Holder - March 1, 2012. And since I am not a subscriber to ambiences in LFE or center channel, it all just seemed so unnecessary. The Zoom H2N. And because mid-side recording is mono compatible and super wide in the stereo field, the recordings I’ve been able to get from the H2N are remarkably full, wide, mono and stereo compatible, and completely dope. HEY! Review: Zoom H2N. Our CS Rating for the H2N is 108. The problem with this is the “real world” doesn’t operate this way. Four Channels, 5 Mics The H2N not only solves this with a 4 channel recorder with. Tell us your experiences here on Tweet about them! I love this thing. The Zoom H2n adds in extra features that makes it better than the H1 for recording music performances and even sound for video. pointed toward the sides. Zoom H2n Audio Recorder Review. It feels “plasticky” and cheap, and heaven help you if you drop it. You next option is $1,000 and that’s without a recorder. The vast majority of consumers, however, generally review its performance when exposed to vocals and guitars. Because of the nature of these three microphones’ close proximity, there are no phase issues between them. However, I took one look at the H2N and discovered that once again Zoom has created an irresistible force in an immovable concept. Many times independent filmmakers make the mistake of taking stereo ambiences and copying them verbatim to the surround channels. However, having different program material between front and surround channels is the best solution to full surround immersion. Combine them in a mix, and it’s phatt wideness that’ll have you doing a double take of the unit which is scarcely larger than your hand. By. May 25, 2017; Effects / Mix / Record / Review; Until we started shooting the Cinema Sound education in Texas, I had no knowledge of the H2N from Zoom. The small screen is annoying to navigate to be sure. It makes up for it by being quite sensitive to dynamic sources. You will need good speakers or headphones for this. Mid-Side recording usually consists of a three microphone array. Not only do we need to write and produce music, but many of us do some teaching, video production, and FX creation on the side. You should all go out and buy it right now. Indeed, for such a small size, the H2n delivers exceptional audio quality. I’d always wished for some easy solution for surround recording, but the solutions in existence are quite expensive: 5.1, 7.1, 3D recorders. It also has a reasonably strong bump in the high 2kHz zone, but nothing that a little EQ can’t solve. The Zoom H2n Handy Recorder is available from Amazon for $151.34. Better. Moreover, the user can control the level of the “stereo field” in both recording and in post listening. Others flip both channels and phase of one of the channels. Sometimes just getting the unit to play files back is a bit weird, since the they’ve taken on an ‘iPod music player” sort of feel with regards to transport navigation. The sound which is behind you – even now – is dramatically different than the sound in front of you. It puts the power of surround sound in everyone’s hand for the price of some good headphones. It has 5 built-in microphones and so it has 4 recording modes. This further separates the surround recording from the standard stereo front recording with the element of mid-side. The M/S mic which is sometimes bundled with the H6 is another wonderful example of this: the ability to determine the level of the stereo field in recording and post. The Zoom H2n features five internal microphones that can be used to switch between different microphone patterns; X/Y, Mid-Side, and 2- or 4- channel surround.. Let’s take a quick look at each of these configurations: X/Y: Both of the front mics are engaged, capturing everything in a 90 degree angle relative to one another.. It gets dinged in the Fidelity rating because the mics appear to have a bit of a bump in the hi-mids. What the heck is Mid-Side?”, Mid-Side, “Monocide.” Sure. One microphone pointed forward and two. © COPYRIGHT 2020 CINEMA SOUND - ALL RIGHTS RESERVED​, Welcome to Cinema Sound, the world’s most comprehensive resource of audio-for-film education incorporating, 3 Things You Don’t Know About Transient Response (And Should), 5.1 Surround Mixing SFX in Ambisonic Headphones.

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