He didn’t choose clusters of notes to adhere to any standard – I presume he chose them for the specific mood they created, even if – and maybe even especially if – they were dissonant. Clair de lune, Catrin Finch | Clair De Lune | Madinat Theatre March 2013, Stasa Mirkovic Grujic - Claude Debussy - Clair de lune, Howl's Moving Castle - Merry-Go-Round of Life (Harp), Claude Debussy : Clair de Lune, for Piano (Suite Bergamasque No. The title is French for “Moonlight”, and is based off a poem by Paul Verlaine. All contents are subject to copyright, provided for educational and personal noncommercial use only. Ma chandelle est morte, je n'ai plus de feu, ouvre moi ta porte pour l'amour de Dieu! So as per a request on this channel, I decided that it would be fun to do a discussion on the tune. An interesting change from the beginning is that, though the beginning implied a Db major chord, and a “happier” sound because of it, the third part, echoing the first part, takes it in a minor, “sadder” direction, implying an F minor harmony. Part two is when things really start rolling along in this song. Finally, in the ending arpeggios that echo part two, we get that perfect cadence, the dominant-to-tonic harmony that Debussy used extremely sparingly in the entire piece. The music grows in agitation, featuring some of Debussy’s characteristic rule-breaking when it comes to chords. But if you especially take a listen to the minuet (the second movement), you can definitely hear a bit of goofiness coming through. Chords for CLAUDE DEBUSSY: CLAIR DE LUNE. There also aren’t any dominant chords (Ab major in this case) to strengthen the tone. See, a Bergamask is basically a clumsy, clownish dance – like the kind of exaggerated dance you’d do if you were joking around. It’s one of my favorite versions, performed by Angela Hewitt. It’s much more technically demanding than the first part, but just because the first part is physically simpler, it’s got so much subtlety that it’s still about as challenging as this second, faster part. Clair de Lune, like an impressionist painting, is really all about capturing the essence of something – not so much the details but the spirit. Arpeggio fragments continue in the left hand, creating a fluid and changing harmony. When listening to Debussy, it helps to keep Impressionist paintings in mind. It’s interesting because we have this perception of Clair de Lune being this ridiculously beautiful song – which it is – but in the context of the entire Suite Bergamasque, it really stands out. Let’s take a really quick listen to the intro of Clair de Lune, in case you haven’t heard it or need a refresher on what it sounds like. […] you missed the first analysis video of Clair de Lune, definitely check it out – it was a ton of fun to […]. [C# D A#m G# F# F Fm D#m D# A E C#m F#m B Cm G Bm C] Chords for C. Debussy - Clair de Lune with capo transposer, play along with guitar, piano, ukulele & mandolin. Part 3 sees a return to the opening theme, but it’s not an exact replica. And if there’s anything you’d like to add, feel free to leave a comment and share your thoughts – it’s great for me to read, but also great for other people who watch these videos as well. [embedyt] http://www.youtube.com/watch?v=qTxiLTZN1mY[/embedyt]. So it’s interesting that such a tender, lovely piece like Clair de Lune would be part of a collection of tunes about clumsy dancing. Debussy 'Clair de Lune' - Paul Barton, FEURICH 218 grand piano, Debussy - « Clair de Lune » on the theremin, Chopin: Nocturne in C-sharp minor (Anastasia Razvalyaeva, harp), Debussy Clair de Lune for Harp and Cello - Arpège Duo, Seong-Jin Cho – Debussy: Suite bergamasque, L.75: III. “I should like to see the creation…of a kind of music free from themes or motives…which nothing interrupts and which never returns upon itself. We’ll take a listen to those dissonant, chordal parts as they peak into beautiful rolled high notes that always remind me of a harp, and that lead us to the second section. 3), L. 75/3, Show the world what you are playing with ChordU. Thanks for stopping by for this analysis of Clair de Lune! Certain chords strengthen and emphasize the tonality of a piece (like use of the tonic and dominant chords). Clair de Lune isn’t actually even a standalone piece. But it’s also very difficult. But it paints a picture, it creates a mood, and takes us somewhere beautiful. https://www.pianotv.net/wp-content/uploads/2016/05/clair-de-lune-1.mp3, https://www.pianotv.net/wp-content/uploads/2016/05/clair-de-lune-2.mp3, https://www.pianotv.net/wp-content/uploads/2016/05/clair-de-lune-3.mp3, https://www.pianotv.net/wp-content/uploads/2016/05/clair-de-lune-4.mp3, https://www.pianotv.net/wp-content/uploads/2016/05/clair-de-lune-5.mp3, https://www.pianotv.net/wp-content/uploads/2016/05/clair-de-lune-6.mp3, https://www.pianotv.net/wp-content/uploads/2016/05/clair-de-lune-7.mp3, An Analysis of Canon in D (For Casual Music Fans), Practice with no progress? In the poem “Clair de Lune”, bergamasks are referenced in the second line, which loosely ties things together. It gives us our tonal footing, and makes the final notes feel well-earned and satisfying. All of the second section involves running arpeggios and plenty of motion. Whether you’re learning this song or just appreciating it, it’s important to know where Debussy was coming from as a songwriter. It was a lot of fun to do – let me know if you’re into this kind of video and I’ll maybe do some more like it in the future. The suite was published in 1905 by the French composer Claude Debussy. But what Debussy does here is creates tonal ambiguity – you never really feel secure in the key, which is D flat major. One accurate version. So now we’re going to look at the different parts, and do an analysis of Clair de Lune. In the poem “Clair de Lune ... Certain chords strengthen and emphasize the tonality of a piece (like use of the tonic and dominant chords). That said, it’s a fine line between getting super nerdy, and watering down the content too much, so I’m trying to strike a balance. Recommended by The Wall Street Journal Join the Songwriting Workshop: Music Theory Basics for Beginners! He does this in a number of ways, but one way, which you can see right from the opening notes, is that though he’s hinting at a tonic D flat major chord, there’s actually no Db note played anywhere, at least not until later on. There will not be, between two restatements of the same characteristic theme, a hasty and superfluous ‘filling in’.”. And since we’ve just spent this blog post/video dissecting Clair de Lune in little parts, here’s a video of the piece in its entirety. Finally, at the end of the song, we get a sense of peace by hearing that cadence. Clair de Lune is the third movement of the four-movement suite. Basically his intent wasn’t to write a catchy tune, but rather an experience, a song that sets a scene and takes you through it. Claude Debussy has a quote that goes something like, “Music is the space between the notes,” and you can really feel his meaning by the intro alone. It’s part of a larger whole – a suite called “Suite bergamasque”. Ein ganz einfaches Kinderlied aus Frankreich. One of my favorite parts of the piece, and one of the most recognizable parts, is on the second page when all the notes come together, still very quietly, but the effect is powerful.


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