This is ideal for landscape photographers who like to “run and gun” without the burden of a tripod. BEST FOR: THE WIDEST OF THE WIDE Tamron 15-30mm f/2.8 DI VC USD. This photo was taken with a Nikon 14mm f/2.8 prime lens on a full-frame camera. They capture the expansiveness of the surroundings, making them attractive for vistas and lookout towers. And also, not every camera has them… although things are improving here, and even compacts are going wider. The meadow valley stands out against its surroundings, and the houses at its edge amplify this even more. With longer lenses you just need to take more steps back. The foundation for this article is a series of photos taken in a beautiful countryside in the Czech Republic, from a point looking out on a vast area, as you can see in the panorama below. So here’s the 35 mm in action a second time: The 35 mm for a second time. In landscape photography there are times when you will want a very wide angle (for example, 17mm), there are times when a normal or standard focal length will do (something like 50mm), and there are times when you will need a telephoto lens (something like 200mm). This excellent video … I’ll note here that all the focal lengths mentioned are 35mm (full-frame) equivalents. The background hills also provide some nice context, so this time I left out the horizon, leaving only forests and jutting rocks in the picture. From an ultra-wide 16mm focal length to a classic length of 35mm, the Canon EF 16-35mm f/2.8, is what landscape photographers dream of. I acquired my photography experience, both inside and outside the studio, during the previous years—when I was working all day and taking pictures every evening and weekend. Telephoto –a much less common choice for landscapes, a telephoto lens allows you to focus in on particular areas of a scene whilst compressing the scene in a 2D space. An overview of the shots presented above. Ideal Focal Lengths for Landscapes 14mm (Ultra Wide but Fun). 14mm is at... 18mm (Our Second Favorite Focal Length). Possibly the Best Focal Length for Landscape Photography? Sigma 18-35mm f/1.8 DC HSM Art. Standard lenses– these lenses tend to reflect what the human eye sees, hovering around the 50mm focal length mark. Over the course of the video, Danson slowly steps from an ultra-wide focal length of 14mm all the way up to a telephoto focal length of 200mm, explaining how and when he chooses each focal length/range (with examples of photos shot with them). Since I was stepping backwards anyway, I kept going back until I’d also included trees on both sides, framing the picture. In the end the least usual photos turn out the best. Coming to you from Adam Gibbs, this great video follows him as he tours the Canadian Rockies and discusses the importance of choosing the proper focal length for landscape work. Ignoring the last few photos with their several steps back, here’s an overview of the shots I’ve presented above. The 24 mm length from a greater distance, so the picture is framed by trees. Getting started in landscape photography and not sure what focal length lens to use? If you’re looking to photograph almost anything in the wide world of landscapes, there are about four different lenses that are especially useful: 14mm f/2.8: A wide-angle, wide-aperture lens for astrophotography 16-35mm f/4: Intended for the most important range … Here’s a 26-minute video by photographer Nigel Danson on how to go about making that decision. Unlike in portrait photography, nearly every lens works for landscapes. Ultrawide lenses let you do one awesome thing: you just have to take a couple of steps back to get a good chunk of the foreground into the picture along with the landscape. Sign up to receive the Learn Photography newsletter, and every week you'll receive a hand-picked selection of the best articles on this site. This shot was taken with the Nikon 16-35mm f/4 VR at … In this picture I used a 24 mm, which is wide, yet still not a 16. While the lookout tower on the opposite hill isn’t quite as prominent, it’s significant, and it livens up the picture—if the viewer notices it. VIDEO: Retouching Basics—Create a Levitation Effect! Here I don’t have such opportunities, so I make the lookout tower stand out all the more—at 150 mm, details of the tourists start to become visible. But still, if I had to guess which focal lengths I’ll find on a given camera most often, it’ll be from 28 to 35 mm. But there was another interesting viewpoint I could find: breaking away from my subject so far, I could go back to the meadow with the houses. The lenses you might consider for landscape photography come in three main categories: 1. With a 35 mm the view is more restricted, and so here I have to decide what point of importance to leave in the picture. For people wanting to capture a landscape in one shot without stitching a panorama, wide-angle lenses are a frequent choice. I took care to also include a nearby tree so that I didn’t end up with just a bare crag. Few creative choices have a more significant impact on the final look of your photos than the focal length you decide to use. The Widest “Lens”—Panoramas. It’s Versatile. Long lenses are also good for landscape photography, although they’re mostly important in mountainous scenes. This gives a photo depth. To keep it from showing the railing or the crag I was standing on, I stretched out my arms as far as I could past the edge of the railing. 10:00 Wide-angle 18-24mm The 85 mm length a second time. 28mm (18mm) is one of the most popular focal lengths for landscape photography because it can encompass a relatively wide angle of view (75 degrees) without introducing obvious distortions. Here not even an ultra-wide lens could capture the whole scene, and so I took five photos with a 16 mm lens in portrait orientation and stitched them into one picture covering almost 200 degrees. They really add drama to shots of a row of mountains or hills stretching on one after another. Shots that will be stitched together are regularly taken with the widest lens available… but not necessarily in landscape orientation. Coming to you from Adam Gibbs, this great video follows him as he tours the Canadian Rockies and discusses the importance of choosing the proper focal length for landscape work. Quick Answer - The Best Landscape Lenses; Comparison Table - Best Landscape Lenses; Reviews - The Best Lenses for Landscape Photography. It is a great lens that covers an ideal focal length range for landscape photography. VIDEO: A Cosplay Shoot with Zdenka Vratna (Foto Povolen). “In terms of my favorite, I think my favorite is either end, so 14mm or 200mm,” Danson says, “because I think you can create something a little bit more dramatic, a little bit more creative, and I think it’s more fun to shoot at those far ends of it, but I don’t think it’s easier…”, This Photographer is on a Quest to Find and Photograph the True Definition of Beauty, Underwater Camera Reveals the Weird Way Flamingos Eat, Nikon to Release Two New DSLRs, Several F-Mount Lenses in 2021: Report, Nikon in ‘Dire Straits’ as its Slump is Particularly Untimely: Report, Animal Shelter Photographs Older Dogs Dressed as Senior Citizens to Encourage Adoption, Photoshop’s Sky Replacement Makes Photography Something It’s Not, Fujifilm Adds Pixel Shift Multi-Shot to GFX100, Enabling 400 MP Capture, Nikon’s Online Classes Are All Free for the Holidays, UPDATED: Sigma to Present New Mirrorless DN Lens in ‘Sigma Stage’ Livestream, Manufacturer Says ‘Time of Flight’ Sensors to Become Standard in Smartphones, 70 Inspirational Quotes for Photographers, These Photos Document an Incredible 28-Hour, 62-Mile Open-Water Swim, How Sony’s Latest Industrial Sensor Might Have Applications in the Consumer Market, Moments Burned into the Mind and Negative, Fujifilm Announces GFX100 IR, a Forensics-Focused Infrared Camera, Nikon D820 Less Than a Month Away, Report Says, If Your iPhone Has a Green Dot in iOS 14, Your Camera May Be Spying On You, Dr. Seuss Goes After Photographer Over Grinch-Themed Photo Shoot, Upcoming Adapter Brings Pentax K Glass to Sony E-Mount, AF Included, The Best Photos from GuruShots’ ‘Impactful Portraits’ Challenge. It’s just that each one lets you present the landscape a bit differently. You’ve probably run into the title question in practice. Shooting with this Canon landscape lens is great for landscape photography because you can capture much of the foreground as well as the background while maintaining a beautifully sharp, crisp focus. If I wanted to choose something else, I would concentrate on the more distant hill, which looks much more imposing after zooming in. But this is not the only option. You might also notice how the panorama was shot. Some landscape photographers use a superzoom covering a focal range of 24-300mm for instance, but the image quality of this type of lens is massively inferior to that of a 70-200mm. Now the meadow and the houses completely dominate, and you can make out various details in the houses. Wide-angle –the typical choice for landscapes, this style of lens will allow you to benefit from a wider field of view. So if you have a 16 mm available, it’s easy to achieve this effect here: A 16 mm from a slightly larger distance includes the immediate surroundings too. Shots that will be stitched together are regularly taken with the …

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